PETA’s Ang Babae Sa Septic Tank 4 turns its sharpest lens yet on Philippine theater—blending satire, spectacle, and self-awareness to question what it means to create important art today.

Virgin Labfest XXI embraces vulnerability through 12 new one-act plays, stripping Filipino storytelling down to its most intimate, urgent, and unfiltered truths.

For its 25th year, the Philippine Opera Company mounts Master Class, where Maria Callas’ genius burns at the cost it demanded.

There are stories that merely unfold—and then there are those that unfurl, slow as silk and twice as mesmerizing, releasing their wonders in measured, decadent waves. 

A bold production of Emilia explores authorship, erasure, and the collective power of women.

With a new translation by Eljay Castro Deldoc, a masterpiece by Pulitzer winner Quiara Alegría Hudes finds a soul-deep resonance in the spirit of our islands.

Ballet Philippines stages PAGLALAKBAY, a sweeping tribute to Austronesian roots, resilience, and the enduring pull of home.

Notes on Dulaang UP’s Ang Kaliitan ng Kasalukuyan.

Repertory Philippines explores immersive storytelling through distinct and thought-provoking plays.

Barefoot Theatre Collaborative’s production invites audiences into a deeply human story about loss, ethics, and the evolving relationship between people and technology.

Through gears, music, and revolutionary drama, Mabining Mandirigma: A Steampunk Musical revisits the ideals of Apolinario Mabini.

A review of Theatre Group Asia’s staging of A Chorus Line.