The real measure of artistic identity is not just how consistent you are, but how you honestly evolve. 

Slater Young’s ‘The Rise in Monterrazas’ is a perfect example of what makes good things go bad: commodification

 In the age of selfies and short-form videos, are museums losing their sanctity or rediscovering their pulse?

In a country gutted with crises, artists Pio Abad, Electromilk, and Monokromatiko discuss how art can bring people together in times of social injustice.

From the haunting of Junjun in BPOs, to rumors of a headless priest roaming sites where churches are built, the Filipino’s fascination with horror truly goes beyond one, frightening night of supernatural tales.

Does underconsumption have a place in platforms that are usually flooded with advertisements and sponsorships?

In today’s society, loving local and demonstrating “Pinoy pride” comes with a very hefty cost. 

From fairytales that choose love over logic to stories where survival trumps romance, these films remind us that when love meets paycheck, it’s never just about who picks up the tab or whose card will be handed to the restaurant—it’s about who ends up paying the bigger price.

From ‘The Penthouse’ to the Philippines, eat the rich is more than a slogan—it’s a reminder. Floods show us where corruption leads, while nepo babies and dynasties flaunt their wealth. 

In the Philippines, Christmas is not a date. It’s a feeling, and it starts when the first note of Jose Mari Chan plays.

Viral trends can crash entire supply chains—MatchaTok has done just that. 

This unpacks how meme culture and digital aesthetics shaped the performative man, tracing his style cues while questioning why performance is seen as uniquely male.