The Self, the Other, and the No-Self: Explorations/Stillness in Exhibitions in April 2022 Nana Rosa: A tribute to the Filipina comfort woman in WWII’s 80th anniversary Tanghalang Pilipino’s Coriolano: A Modern-day Shakespearean experience The shape of water, according to Tammy de Roca The shape of water, according to Tammy de Roca No Drought in Art: VIVA ExCcon Taming the Tempest at Lake Predicament National Museum dives into the hidden treasures of the Philippine Rise The Absence of Pretense Fringe Manila 2019 celebrates diversity this National Arts Month 5 Dated Songs that Art Lovers Should Know Komura; from book-fair to forum Manila Notes from Tokyo A Safe, Well-lighted Space One Spin-cycle “Lady Fishbone” wins grand prize at 2018 Maningning Miclat Art Awards An Unlikely Friendship Between Two Galleries Shines Through To Cast a Shadow Into the Wild A Dip Into the Art World Tirada: Philippine Printmaking marks its 50th year Béton Brut: Life in the concrete places Cristina Escario presents her 4 year long project “Dahon” Gandang Ganda Sa Sariling Gawa Art Fair celebrates female local artists CCP Announces The 2018 Thirteen Artists Awardees 9Works Theatrical and The Sandbox Collective collaborates on “Himala: Isang Musikal” The Communal Library of Book Lovers Translations of Collages to Paintings in Gerardo Tan’s “Recto/Verso” Artist of the Day: Steph Alvarez Q&A Dr. Reuben Cañete ADVERTISEMENT
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