Breaking the Mold: Mischa
The artist Mischa has developed his own technique of painting with resin.
The artist Mischa has developed his own technique of painting with resin.
“Old empty chairs are not empty in reality—memories always sit there!” – Mehmet Murat ildan
This article originally appeared in Art+ Magazine Issue 38 (March-April 2015). The article is republished here as part of #ArtPlusFlashbackFriday project. Text by Cid Reyes. “The female Amorsolo.” It was a label she recoiled from, a label that would otherwise have sent perhaps other female artists to the seventh heaven. It was itself a benediction…
“The Brave Modern” exhibit at the Ayala Museum (2015) offers up a survey of Cesar Legaspi’s body of work from the pre-war years to the 1980s.
The first Muslim National Artist is known for his unique adaptation of traditional Muslim Mindanaon motifs, such as the ukkil, the naga, pako rabong, and sarimanok.
Born in 1957, Doloricon graduated in 1981 with a degree in Fine Arts from the University of the Philippines in Diliman and was witness to the turbulent era of political activism that spawned leftist movements on campus and beyond.
We look back to Love Marie (Heart Evangelista)’s cover story from 2014.
This is an abridged version of an article that originally appeared in Contemporary Art Philippines (now Art+ Magazine) Issue 21 (2011). The article is republished here as part of #ArtPlusFlashbackFriday project. You can view the full article here. By Cid Reyes; images courtesy of Ayala Museum In time for Ayala Museum’s exhibition on National Artist…
This is a condensed version of an article that originally appeared in Contemporary Art Philippines (now Art+ Magazine) Issue 21 (2011). The article is republished here as part of #ArtPlusFlashbackFriday project. You can view the full article here. By Cid Reyes; images courtesy of Ayala Museum In time for Ayala Museum’s exhibition on National Artist…
The interview was conducted in the artist’s residence in Heroes Hill, Quezon City. September 1973.